Magic and the Supernatural in Medieval English Romance -- New From D. S. Brewer

Magic and the Supernatural in Medieval English Romance 
Corinne Saunders

Details
First Published: 15 Apr 2010
13 Digit ISBN: 9781843842217
Pages: 312
Size: 23.4 x 15.6
Binding: Hardback
Imprint: D.S.Brewer
Series: Studies in Medieval Romance
Subject: Medieval Literature
BIC Class: DSBB

The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects - rings, potions, amulets, and the celebrated green girdle in Sir Gawain and the Green Knight. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The book opens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively transform them. In particular, the author explores the distinction between the `white magic' of healing and protection, and the more dangerous arts of `nigromancy', black magic. Also addressed is the wider supernatural, including the ways that ideas associated with human magic can be intensified and developed in depictions of otherworldly practitioners of magic. The ambiguous figures of the enchantress and the shapeshifter are a special focus, and the faery is contrasted with the Christian supernatural - miracles, ghosts, spirits, demons and incubi.

Contents
1 Introduction
2 Classical and Biblical Precedents
3 The Middle Ages: Prohibitions, Folk Practices and Learned Magic
4 White Magic: Natural Arts and Marvellous Technology
5 Black Magic: The Practice of 'Nigromancy'
6 Otherworld Enchantments and Faery Realms
7 Christian Marvel and Demonic Intervention
8 Malory's Morte Darthur
9 Epilogue: Towards the Renaissance
10 Bibliography

Professor CORINNE SAUNDERS Saunders teaches in the Department of English, University of Durham.

Merlin Season 3

The SyFy Channel premieres Season 3 of BBC1's Merlin next week.

Kalamazoo Session Cancelled

I am sorry to report that our co-sponsored session "Arthurian Villains on Film: Studies in Commemoration of the Thirtieth Anniversary of John Boorman’s Excalibur" has been cancelled due to under-whelming interest in the topic.

Tony Lee and Sam Hart's Excalibur: The Legend of King Arthur (2011)

I came across this today on Amazon and posted a notice to the Arthur of the Comics Project blog, but it is also very relevant here for Tony Lee's introduction of a new villain, Ulric, and its presentation of Morgan le Fay.

Forthcoming from Walker Books and Candlewick Press:

Excalibur: The Legend of King Arthur

Tony Lee (Author), Sam Hart (Illustrator)

Hardcover $21.99 (978-0763646448).

Paperback $11.99 (978-0763646431).

In a dramatic and moving tale of trickery and betrayal, forgiveness and hope, the legend of King Arthur, his loves and losses, the fall of Camelot, his Knights of the Round Table, the secrets of his past and mysteries of his future, all come to bear in this visually stunning portrait of a man. Before Arthur's father, Uther Pendragon, was murdered by Ulric, as a final act, Uther thrust his sword, Caliburn, into a rock. Only a man true of heart would be able to draw and wield the weapon once more. Until that time, Ulric would become King of the Britons, raining terror over all the land. And the people of Albion would wait for a beacon of hope. The wizard Merlin knows just who that person is destined to be. If Ulric is to be overthrown, then it is Arthur, son of Uther, who must pull out the sword and become the rightful leader of the Britons. So, until Arthur comes of age, Merlin hides the future King - in so doing he strikes a dangerous bargain with the dark Unseelie Fae. As the day approaches when Arthur will come of age, there are strong powers at play. Not everyone wishes for Arthur to succeed - for it was Morgana, Arthur's half-sister, who Merlin traded to the Unseelie, in place of her brother, all those years ago. And now the witch has a vengeful score to settle.

Tony Lee has been a writer for over twenty years. He has worked for a variety of publishers including Marvel Comics, IDW Publishing, Markosia, Rebellion, Panini and Titan. He has contributed to many popular and high-profile properties such as X-Men, Doctor Who, Spider Man, Starship Troopers, Wallace & Gromit and Shrek. In 2008 Tony was nominated in the category for "Best Newcomer Writer" at the prestigious Eagle Awards. He lives in London. Sam Hart is a comic book artist and magazine illustrator, having worked on Starship Troopers and Judge Dredd and for publishers Markosia and DC Comics, amongst others. Born in England, he now lives and teaches comic art in Brazil.

Merlin Season Two Marathon Airs This Week on Syfy

Syfy celebrates the conclusion of the second season of the BBC1 series Merlin on Friday with an all-day marathon of the entire season that culminates in the season finale at 10 PM EST. Season two adds a number of villains to the pantheon and presents old faithfuls, particularly Morgan le Fay, Morgause, and Mordred, in innovative ways.

Details of the marathon are as follows:

FRI., 2 JULY
10:00 AM MERLIN, SEASON 2: THE CURSE OF CORNELIUS SIGAN
11:00 AM MERLIN, SEASON 2: THE ONCE AND FUTURE QUEEN
12:00 PM MERLIN, SEASON 2: THE NIGHTMARE BEGINS
01:00 PM MERLIN, SEASON 2: LANCELOT AND GUINEVERE
02:00 PM MERLIN, SEASON 2: BEAUTY AND THE BEAST - PART 1
03:00 PM MERLIN, SEASON 2: BEAUTY AND THE BEAST - PART 2
04:00 PM MERLIN, SEASON 2: THE WITCHFINDER
05:00 PM MERLIN, SEASON 2: THE SINS OF THE FATHER
06:00 PM MERLIN, SEASON 2: THE LADY OF THE LAKE
07:00 PM MERLIN, SEASON 2: SWEET DREAMS
08:00 PM MERLIN, SEASON 2: THE WITCH'S QUICKENING
09:00 PM MERLIN, SEASON 2: THE FIRES OF IDIRSHOLAS
10:00 PM MERLIN, SEASON 2: THE LAST DRAGONLORD

CFP: Arthurian Villains on Film/TV/Etc (9/1/10; Kalamazoo, MI 5/12-15/11)

CALL FOR PAPERS
ARTHURIAN VILLAINS ON FILM:
STUDIES IN COMMEMORATION OF THE THIRTIETH ANNIVERSARY OF JOHN BOORMAN'S EXCALIBUR
THE 46TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES,
WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MI
12-15 MAY 2011
CO-SPONSORED BY THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN AND THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES
PROPOSALS BY 1 SEPTEMBER 2010 (EARLY SUBMISSION RECOMMENDED)

In furtherance of our respective missions, the Alliance for the Promotion of Research on the Villains of the Matter of Britain and the Virtual Society for the Study of Popular Culture and the Middle Ages (formerly the Society for the Study of Popular Culture and the Middle Ages) are proposing a session devoted to the theme of Arthurian Villains on Film: Studies in Commemoration of the Thirtieth Anniversary of John Boorman’s EXCALIBUR. Papers included in these sessions will explore the representations of the villains of the Matter of Britain, both traditional ones (e.g. Cerdic, Lot of Orkney, Mark of Cornwall, Mordred, Morgan le Fay, Morgause, and Vortigern) as well as those (e.g. Brack, Cynric, Mab, Mad Madame Mim, Palamides, Ruber, and, even sometimes, Merlin) unique to specific productions, as represented in films, television programming, and other visual electronic multimedia, such as electronic games and Internet videos.

The Arthurian legend has been represented in films since at least the late 1890s and in television programming since the 1950s, and the villains of these productions serve important, though often overlooked, roles as the initiators of dramatic action and as the counteragents to their respective heroes. Despite these vital narrative functions, study of the filmic villains of the Matter of Britain remains in its infancy with few studies engaged with their role in specific productions and with only a handful of overviews of their careers as investigated (in chronological order) by Elizabeth S. Sklar, Jacqueline de Weever, Maureen Fries, and Michael A. Torregrossa.

Since its introduction in the 1980s, Arthurian film and television studies has matured into a legitimate field of investigation, and the thirtieth anniversary of John Boorman’s EXCALIBUR (1981), a key text for the study of Arthurian villains on film, marks an appropriate time to reflect upon the role that the villains play in the Arthurian story. Boorman’s EXCALIBUR has become a seminal text for scholars of Arthurian-themed films and part of the modern canon of popular Arthuriana. Moreover, it is especially important for its presentation of the villains Morgana and Mordred and their relationship to King Arthur, as Boorman is the first filmmaker (as Torregrossa has explored) to fully depict the incest of King Arthur (here with Morgana), an act that results in the conception of Mordred, and its consequences. In addition, Boorman’s versions of both Morgan le Fay and Mordred have shaped countless later representations of these characters in popular Arthuriana throughout the globe.


PLEASE SUBMIT PROPOSALS OF 500 WORDS OR LESS, PARTICIPANT INFORMATION FORM (AVAILABLE AT
http://www.wmich.edu/medieval/congress/submissions/index.html IN JULY), AND A COPY OF YOUR CV TO THE ORGANIZERS AT

ArthurianVillainyResearch-AT-gmail-dot-com


PLEASE INCLUDE “KALAMAZOO 2011 PROPOSAL” IN THE SUBJECT LINE


FOR MORE INFORMATION ABOUT THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN, PLEASE CHECK OUT OUR BLOG AT http://ArthurianVillainyResearch.blogspot.com/

FOR MORE INFORMATION ABOUT THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES, PLEASE CHECK OUT OUR BLOG AT
http://popularcultureandthemiddleages.blogspot.com/

Kalamazoo 2011 Update

We have had an update on sessions for next year's International Congress on Medieval Studies at Kalamazoo. One session our proposal (accessible here) has been accepted, and a call for papers will be forthcoming.

Avalon High the Movie

The Disney Channel is now filming a live-action adaptation of Meg Cabot's young-adult novel Avalon High. No word on whether or not this production will incorporate material from the three-part manga sequel Avalon High: Coronation (from which the accompanying image, representing Marco [Mordred] and Morgan, is drawn). Details from a press release about the film can be found on various web sites including the following from The Futon Critic:

[05.03.10 - 10:50 AM]
PRODUCTION HAS BEGUN IN NEW ZEALAND ON "AVALON HIGH," A DISNEY CHANNEL ORIGINAL MOVIE THAT BRINGS ARTHURIAN LEGEND ALIVE AT A CONTEMPORARY HIGH SCHOOL
Released by Discovery
[NOTE: The following article is a press release issued by the aforementioned network and/or company. Any errors, typos, etc. are attributed to the original author. The release is reproduced solely for the dissemination of the enclosed information.]

PRODUCTION HAS BEGUN IN NEW ZEALAND ON "AVALON HIGH," A DISNEY CHANNEL ORIGINAL MOVIE THAT BRINGS ARTHURIAN LEGEND ALIVE AT A CONTEMPORARY HIGH SCHOOL

Production has begun in New Zealand on "Avalon High," a fantasy-filled Disney Channel Original Movie starring Britt Robertson ("Life Unexpected") and Gregg Sulkin ("Wizards of Waverly Place," Disney Channel UK's "As the Bell Rings"). Based on the award-winning novel by best-selling author Meg Cabot ("The Princess Diaries"), the movie follows Allie Pennington, a new student to Avalon High who is shocked to discover that her new classmates are reincarnations of King Arthur and his Court. "Avalon High" is slated to premiere in fall 2010.

In "Avalon High," Allie is ecstatic when her parents, traveling professors who specialize in King Arthur's legend, tell her she will be staying at Avalon High until she graduates. She can finally join the track team, make new friends and be a normal high school student. But shortly after arriving, Allie discovers that something strange may be afoot. While researching a term paper on King Arthur's legacy, she begins to notice some interesting parallels between the past and the present - from handsome quarterback Will, his cheerleader girlfriend, Jen, and their best friend, Lance, to Will's brooding step-brother, Marco, a quirky kid named Miles and football players who act like knights of the roundtable. The deeper Allie searches, the more convinced she is that her school is a contemporary Camelot, and it's up to her to solve of the mystery of Avalon High before notorious traitor Mordred wins again.

Starring are: Britt Robertson as Allie Pennington, Gregg Sulkin as Will Wagner, Joey Pollari (Disney XD's "Skyrunners") as Miles, Devon Graye ("Dexter") as Marco, Molly Quinn ("Castle") as Jen, Christopher Tavarez ("Big Momma's House 2") as Lance, and Steve Valentine ("I'm in the Band," "Wizards of Waverly Place The Movie," "Crossing Jordan") as Mr. Moore.

The teleplay, based on the book by Meg Cabot, was written by Julie Sherman Wolfe ("Jonas," "Phil of the Future") and is directed by Stuart Gillard (Disney Channel's "Hatching Pete," "90210"). "Avalon High" is a production of Sudden Motion Productions, Inc. and Ranger Productions Ltd.

Disney Channel is a 24-hour kid-driven, family inclusive television network that taps into the world of kids and families through original series and movies. Currently available on basic cable in over 99 million U.S. homes and to millions of other viewers on Disney Channels around the world, Disney Channel is part of the Disney/ABC Television Group.

Kalamazoo Sessions 2011

The Alliance has just completed the paperwork for our sponsored sessions for next year's International Congress on Medieval Studies. Proposals will be accepted later this year pending approval by the conference organizing committee.


Arthurian Villains on Film: Studies in Commemoration of the Thirtieth Anniversary of John Boorman’s Excalibur

In furtherance of our respective missions, the Alliance for the Promotion of Research on the Villains of the Matter of Britain and the Virtual Society for the Study of Popular Culture and the Middle Ages (formerly the Society for the Study of Popular Culture and the Middle Ages) are proposing a set of two sessions devoted to the theme of Arthurian Villains on Film: Studies in Commemoration of the Thirtieth Anniversary of John Boorman’s Excalibur. Papers included in these sessions will explore the representations of the villains of the Matter of Britain, both traditional ones (e.g. Cerdic, Lot of Orkney, Mark of Cornwall, Mordred, Morgan le Fay, Morgause, and Vortigern) as well as those (e.g. Brack, Cynric, Mab, Mad Madame Mim, Palamides, Ruber, and, even sometimes, Merlin) unique to specific productions, as represented in films, television programming, and other visual electronic multimedia, such as electronic games and Internet videos.

The Arthurian legend has been represented in films since at least the late 1890s and in television programming since the 1950s, and the villains of these productions serve important, though often overlooked, roles as the initiators of dramatic action and as the counteragents to their respective heroes. Despite these vital narrative functions, study of the filmic villains of the Matter of Britain remains in its infancy with few studies engaged with their role in specific productions and with only a handful of overviews of their careers as investigated (in chronological order) by Elizabeth S. Sklar, Jacqueline de Weever, Maureen Fries, and Michael A. Torregrossa.

Since its introduction in the 1980s, Arthurian film and television studies has matured into a legitimate field of investigation, and the thirtieth anniversary of John Boorman’s Excalibur (1981), a key text for the study of Arthurian villains on film, marks an appropriate time to reflect upon the role that the villains play in the Arthurian story. Boorman’s Excalibur has become a seminal text for scholars of Arthurian-themed films and part of the modern canon of popular Arthuriana. Moreover, it is especially important for its presentation of the villains Morgana and Mordred and their relationship to King Arthur, as Boorman is the first filmmaker (as Torregrossa has explored) to fully depict the incest of King Arthur (here with Morgana), an act that results in the conception of Mordred, and its consequences. In addition, Boorman’s versions of both Morgan le Fay and Mordred have shaped countless later representations of these characters in popular Arthuriana throughout the globe.

Morgause on BBC's MERLIN

Morgause made her American debut tonight on the Syfy Channel's airing of "The Sins of the Father," episode eight of season 2 of the BBC's Merlin. Morgause is a sorceress and half-sister to Morgana, ward of Uther Pendragon, though both are unrelated to Arthur in the series, contrary to tradition. In this episode, Morgause uses her powers in an attempt to manipulate the young Prince Arthur against his father, Uther.

According to the Merlin Wiki, Morgause returns in episode twelve of the series, "The Fires Of Idirsholas."