My apologies for the delaying in updating the site(s) and focusing on the Kalamazoo session on monsters. I have been thinking and reading much on monsters but (unfortunately) not doing much thinking about Kalamazoo these past few months.
Expect an update on the session by Monday and email responses to all proposals submitted to the Alliance address by tonight.
Michael Torregrossa
Welcome to Researching the Villains of the Matter of Britain, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. This site was founded in 2009 and is devoted to furthering discussion and debate on the antagonists and antiheroes of the Arthurian tradition from its medieval origins to the present and in all media in which Arthuriana appears.
Friday, September 28, 2012
Tuesday, June 26, 2012
CFP Arthurian Monster Quest
CALL FOR PAPERS
ARTHURIAN MONSTER QUEST
INVESTIGATING THE MONSTERS OF THE ARTHURIAN TRADITION, MEDIEVAL THROUGH MODERN
A SESSION FOR THE 48TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES (WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MI) FROM 9-12 MAY 2013
SPONSORED BY THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN
PROPOSALS BY 1 SEPTEMBER 2012 (EARLY SUBMISSION RECOMMENDED)
Inspired by the pioneering work of Jeffrey Jerome Cohen, teratology, the study of monsters, is experiencing a renaissance of late in Medieval Studies. Much of this new work has been conducted under the auspices of MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory and Practical Application), but there remain other avenues to explore, especially with regards to fields of interest, like Arthurian Studies, that stretch outside the medieval and into the various eras of post-medieval history. In sponsoring this session, The Alliance for the Promotion of Research on the Villains of the Matter of Britain hopes to offer some much needed illumination into the darker parts of Arthur’s realm and provide some sense of the history of the monsters that dwell in these shadows.
In existence for nearly fifteen hundred years, the Matter of Britain, the body of myths and legends associated with King Arthur and his court, has long been linked with the supernatural, chiefly in Arthur’s own nebulous fate as the Once and Future King and in the wonder-workings of the incubus-spawned Merlin, the fairy women variously called the Lady of the Lake, and Arthur’s sibling Morgan le Fay, who is of human origin despite her otherworldly title. These characters have all received much attention from scholars, but the larger mass of Arthurian preternature has not. Besides these examples, the denizens of Camelot presented in medieval texts encounter many further mystical creatures, all of which we might consider as unnatural, or monstrous, today, including demons, dragons, the Fair Folk, figures we would now label as witches, giants, griffins, hellhounds, the restless dead, unicorns, werewolves, and, who can forget, the enigmatic Questing Beast. These monsters, although important features of their respective narratives, have all received little attention in modern scholarship. Their successors have received even less attention, despite the continuance of all of these preternatural beings in post-medieval Arthurian texts, including such extremes as the Blazing Dragons franchise, which recasts Arthurian figures as anthropomorphic dragons. In addition, as the corpus of Arthuriana has expanded exponentially following the close of the Middle Ages, this new Matter of Britain has also introduced additional creatures of the night (such as ogres, vampires, zombies, and a plethora of new creations featured in the Merlin television series) not found in medieval tales of Arthur’s court. Modern Arthurian texts, moreover, have expanded the provenance of the monstrous and transformed ordinary figures from the legend into monsters. It is this world of Arthurian monsters that we seek to explore in these sessions with the intent of opening up their realm for further discussion and appreciation.
Please note, all submissions will also be considered for a special issue of Arthuriana on the topic. Completed essays will be due in June 2013.
PLEASE SUBMIT PROPOSALS OF 500 WORDS OR LESS, PARTICIPANT INFORMATION FORM (AVAILABLE AT http://www.wmich.edu/medieval/congress/submissions/index.html), AND A COPY OF YOUR CV TO THE ORGANIZERS AT ArthurianVillainyResearch@gmail.com PLEASE INCLUDE “KALAMAZOO 2013 PROPOSAL” IN THE SUBJECT LINE
FOR MORE INFORMATION ABOUT THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN, PLEASE ACCESS OUR BLOG AT http://ArthurianVillainyResearch.blogspot.com/
ARTHURIAN MONSTER QUEST
INVESTIGATING THE MONSTERS OF THE ARTHURIAN TRADITION, MEDIEVAL THROUGH MODERN
A SESSION FOR THE 48TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES (WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MI) FROM 9-12 MAY 2013
SPONSORED BY THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN
PROPOSALS BY 1 SEPTEMBER 2012 (EARLY SUBMISSION RECOMMENDED)
Inspired by the pioneering work of Jeffrey Jerome Cohen, teratology, the study of monsters, is experiencing a renaissance of late in Medieval Studies. Much of this new work has been conducted under the auspices of MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory and Practical Application), but there remain other avenues to explore, especially with regards to fields of interest, like Arthurian Studies, that stretch outside the medieval and into the various eras of post-medieval history. In sponsoring this session, The Alliance for the Promotion of Research on the Villains of the Matter of Britain hopes to offer some much needed illumination into the darker parts of Arthur’s realm and provide some sense of the history of the monsters that dwell in these shadows.
In existence for nearly fifteen hundred years, the Matter of Britain, the body of myths and legends associated with King Arthur and his court, has long been linked with the supernatural, chiefly in Arthur’s own nebulous fate as the Once and Future King and in the wonder-workings of the incubus-spawned Merlin, the fairy women variously called the Lady of the Lake, and Arthur’s sibling Morgan le Fay, who is of human origin despite her otherworldly title. These characters have all received much attention from scholars, but the larger mass of Arthurian preternature has not. Besides these examples, the denizens of Camelot presented in medieval texts encounter many further mystical creatures, all of which we might consider as unnatural, or monstrous, today, including demons, dragons, the Fair Folk, figures we would now label as witches, giants, griffins, hellhounds, the restless dead, unicorns, werewolves, and, who can forget, the enigmatic Questing Beast. These monsters, although important features of their respective narratives, have all received little attention in modern scholarship. Their successors have received even less attention, despite the continuance of all of these preternatural beings in post-medieval Arthurian texts, including such extremes as the Blazing Dragons franchise, which recasts Arthurian figures as anthropomorphic dragons. In addition, as the corpus of Arthuriana has expanded exponentially following the close of the Middle Ages, this new Matter of Britain has also introduced additional creatures of the night (such as ogres, vampires, zombies, and a plethora of new creations featured in the Merlin television series) not found in medieval tales of Arthur’s court. Modern Arthurian texts, moreover, have expanded the provenance of the monstrous and transformed ordinary figures from the legend into monsters. It is this world of Arthurian monsters that we seek to explore in these sessions with the intent of opening up their realm for further discussion and appreciation.
Please note, all submissions will also be considered for a special issue of Arthuriana on the topic. Completed essays will be due in June 2013.
PLEASE SUBMIT PROPOSALS OF 500 WORDS OR LESS, PARTICIPANT INFORMATION FORM (AVAILABLE AT http://www.wmich.edu/medieval/congress/submissions/index.html), AND A COPY OF YOUR CV TO THE ORGANIZERS AT ArthurianVillainyResearch@gmail.com PLEASE INCLUDE “KALAMAZOO 2013 PROPOSAL” IN THE SUBJECT LINE
FOR MORE INFORMATION ABOUT THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN, PLEASE ACCESS OUR BLOG AT http://ArthurianVillainyResearch.blogspot.com/
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Saturday, June 16, 2012
A Go for Kalamazoo 2013
I am very pleased to report that the organizing committee of the International Congress on Medieval Studies has looked favorably on our proposal for sessions on the topic of "Arthurian Monster Quest: Investigating the Monsters of the Arthurian Tradition, Medieval through Modern" (details in previous post), though they have approved only one of our two requested sessions. That does severely limit our energies and time/space for the project, but I do welcome your ideas and proposals via email. All proposals submitted, regardless of their acceptance for the panel, will be considered for a special issue of Arthuriana on the topic.
Michael Torregrossa
Founder and Blog Editor
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Tuesday, May 29, 2012
Kalamazoo Proposal 2013
Here is the text of our proposal to the Medieval Institute for next year's International Congress on Medieval Studies:
Arthurian Monster Quest: Investigating
the Monsters of the Arthurian Tradition, Medieval through Modern (2)
Inspired by the
pioneering work of Jeffrey Jerome Cohen, teratology, the study of monsters, is experiencing
a renaissance of late in Medieval Studies. Much of this new work has been
conducted under the auspices of MEARCSTAPA (Monsters: the Experimental
Association for the Research of Cryptozoology through Scholarly Theory and
Practical Application), but there remain other avenues to explore, especially
with regards to fields of interest, like Arthurian Studies, that stretch outside
the medieval and into the various eras of post-medieval history. In sponsoring
these sessions, The Alliance for the Promotion of Research on the Villains of
the Matter of Britain hopes to offer some much needed illumination into the
darker parts of Arthur’s realm and provide some sense of the history of the monsters
that dwell in these shadows.
In existence for nearly
fifteen hundred years, the Matter of Britain, the body of myths and legends
associated with King Arthur and his court, has long been linked with the
supernatural, chiefly in Arthur’s own nebulous fate as the Once and Future King
and in the wonder-workings of the incubus-spawned Merlin, the fairy women
variously called the Lady of the Lake, and Arthur’s sibling Morgan le Fay, who is
of human origin despite her otherworldly title. These characters have all
received much attention from scholars, but the larger mass of Arthurian preternature
has not. Besides these examples, the denizens of Camelot presented in medieval
texts encounter many further mystical creatures, all of which we might consider
as unnatural, or monstrous, today, including demons, dragons, the Fair Folk, figures
we would now label as witches, giants, griffins, hellhounds, the restless dead,
unicorns, werewolves, and, who can forget, the enigmatic Questing Beast. These monsters,
although important features of their respective narratives, have all received
little attention in modern scholarship. Their successors have received even
less attention, despite the continuance of all of these preternatural beings in
post-medieval Arthurian texts, including such extremes as the Blazing Dragons franchise, which recasts
Arthurian figures as anthropomorphic dragons. In addition, as the corpus of
Arthuriana has expanded exponentially following the close of the Middle Ages,
this new Matter of Britain has also introduced additional creatures of the
night (such as ogres, vampires, zombies, and a plethora of new creations
featured in the Merlin television
series) not found in medieval tales of Arthur’s court. Modern Arthurian texts,
moreover, have expanded the provenance of the monstrous and transformed ordinary
figures from the legend into monsters. It is this world of Arthurian monsters
that we seek to explore in these sessions with the intent of opening up their
realm for further discussion and appreciation.
Monday, May 14, 2012
Kalamazoo 2013 Ideas
The Alliance for the Promotion of Research on the Villains of the Matter of Britain seeks your input regarding our sponsored sessions for next year's International Congress on Medieval Studies. We are interested in submitting proposals for sessions on the monstrous and the Arthurian and on Mordred. If you're interested in presenting or helping to organize/preside, please email us (at ArthurianVillainyResearch@gmail.com) ASAP by 5/25 with details. Please use "Kalamazoo 2013" as your subject line.
Michael
Kalamazoo 2012
A much delayed posting of our sponsored sessions for 47th International Congress on Medieval Studies (10-13 May 2012). The full program is online at http://www.wmich.edu/medieval/congress/sessions.html.
Thursday, 10 May: 7:30 PM
Session 170 (Bernhard 204)
Are You From Camelot? Recent Arthurian Film and Television as Innovators of the Arthurian Tradition and Their Impact (A Roundtable)
Sponsor: Alliance for the Promotion of Research on the Villains of the Matter of Britain; Virtual Society for the Study of Popular Culture and the Middle Ages
Organizer: Michael A. Torregrossa, Virtual Society for the Study of Popular Culture and the Middle Ages
Presider: Charlotte A. T. Wulf, Stevenson Univ.
Merlin: Magician, Man, and Manipulator in Starz’s Camelot (2011)
Caroline Womack, Univ. of Leeds
Morgan, Uther’s Other Child, in BBC1’s Merlin (2008–) and Starz’s Camelot (2011)
Cindy Mediavilla, Univ. of California–Los Angeles
Galahad and Indiana Jones: The Commodification of the Holy Grail in Modern Grail Quests
Schuyler Eastin, San Diego Christian College
Arthurizing the Wife of Bath: The Wife of Bath’s Tale in S4C’s The Canterbury Tales (1999) and BBC’s Canterbury Tales (2003)
Paul Hardwick, Leeds Trinity Univ. College
Respondent: Karolyn Kinane, Plymouth State Univ.
Saturday, 12 May: 12:00 PM
Valley II (Garneau Lounge)
Alliance for the Promotion of Research on the Villains of the Matter of Britain; Institute for the Advancement of Scholarship on the Magic-Wielding Figures of Visual Electronic Multimedia; Virtual Society for the Study of Popular Culture and the Middle Ages
Business Meeting and Reception
Session 170 (Bernhard 204)
Are You From Camelot? Recent Arthurian Film and Television as Innovators of the Arthurian Tradition and Their Impact (A Roundtable)
Sponsor: Alliance for the Promotion of Research on the Villains of the Matter of Britain; Virtual Society for the Study of Popular Culture and the Middle Ages
Organizer: Michael A. Torregrossa, Virtual Society for the Study of Popular Culture and the Middle Ages
Presider: Charlotte A. T. Wulf, Stevenson Univ.
Merlin: Magician, Man, and Manipulator in Starz’s Camelot (2011)
Caroline Womack, Univ. of Leeds
Morgan, Uther’s Other Child, in BBC1’s Merlin (2008–) and Starz’s Camelot (2011)
Cindy Mediavilla, Univ. of California–Los Angeles
Galahad and Indiana Jones: The Commodification of the Holy Grail in Modern Grail Quests
Schuyler Eastin, San Diego Christian College
Arthurizing the Wife of Bath: The Wife of Bath’s Tale in S4C’s The Canterbury Tales (1999) and BBC’s Canterbury Tales (2003)
Paul Hardwick, Leeds Trinity Univ. College
Respondent: Karolyn Kinane, Plymouth State Univ.
Valley II (Garneau Lounge)
Alliance for the Promotion of Research on the Villains of the Matter of Britain; Institute for the Advancement of Scholarship on the Magic-Wielding Figures of Visual Electronic Multimedia; Virtual Society for the Study of Popular Culture and the Middle Ages
Business Meeting and Reception
Blog Update
Wow! I'm really behind on this blog and apologize to my 3 (!) followers. We've missed season 4 of BBC1's Merlin (featuring Morgana, Morgause, and Agravaine) and the specifics of our Kalamazoo sessions. I'll do my best to catch up over the summer on things.
Michael
Michael
Sunday, September 25, 2011
Kalamazoo Roundtable Update
The details of our co-sponsored roundtable for the 2012 International Congress on Medieval Studies have now been finalized as follows. I am especially grateful to Ciny Mediavilla for her proposal on Morgan le Fay.
Are You From Camelot? Recent Arthurian Film, Television, and Electronic Games as Innovators of the Arthurian Tradition and Their Impact
Organizer: Michael A. Torregrossa, The Virtual Society for the Study of Popular Culture and the Middle Ages
Presider: Charlotte A. T. Wulf, Stevenson University
1. “Merlin: Magician, Man, and Manipulator in Starz’s Camelot (2011)”
Caroline Womack, University of Leeds
2. “Morgan, Uther’s Other Child, in BBC1’s Merlin (2008-) and Starz’s Camelot (2011)”
Cindy Mediavilla, UCLA Department of Information Studies
3. “Galahad and Indiana Jones: The Commodification of the Holy Grail in Modern Grail Quests”
Schuyler Eastin, San Diego Christian College
4. Arthurising the Wife of Bath: The Wife of Bath’s Tale in S4C’s The Canterbury Tales (1999) and BBC’s Canterbury Tales (2003)
Paul Hardwick, Leeds Trinity University College
5. Respondent
Karolyn Kinane, Plymouth State University
Organizer: Michael A. Torregrossa, The Virtual Society for the Study of Popular Culture and the Middle Ages
Presider: Charlotte A. T. Wulf, Stevenson University
1. “Merlin: Magician, Man, and Manipulator in Starz’s Camelot (2011)”
Caroline Womack, University of Leeds
2. “Morgan, Uther’s Other Child, in BBC1’s Merlin (2008-) and Starz’s Camelot (2011)”
Cindy Mediavilla, UCLA Department of Information Studies
3. “Galahad and Indiana Jones: The Commodification of the Holy Grail in Modern Grail Quests”
Schuyler Eastin, San Diego Christian College
4. Arthurising the Wife of Bath: The Wife of Bath’s Tale in S4C’s The Canterbury Tales (1999) and BBC’s Canterbury Tales (2003)
Paul Hardwick, Leeds Trinity University College
5. Respondent
Karolyn Kinane, Plymouth State University
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Thursday, July 14, 2011
CFP Are You From Camelot? (Roundtable) (9/1/11; Kalamazoo 5/10-13/12)
CALL FOR PAPERS
ARE YOU FROM CAMELOT?
RECENT ARTHURIAN FILM, TELEVISION, AND ELECTRONIC GAMES AS INNOVATORS OF THE ARTHURIAN TRADITION AND THEIR IMPACT
A ROUNDTABLE FOR THE 47TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES (WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MI) FROM 10-13 MAY 2012
CO-SPONSORED BY THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN AND THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES
PROPOSALS BY 1 SEPTEMBER 2011 (EARLY SUBMISSION RECOMMENDED)
The Matter of Britain is alive and well in modern mass media, and the media of film and television, especially, have long been recognized as important disseminators of the Arthurian legend to audiences of various ages and in disparate countries across the globe. Such productions are often assessed by their fidelity to pre-established versions of the legend, an anxiety of influence that Norris J. Lacy has termed “the tyranny of tradition.” However, mass media like film, television and electronic games also function as innovators of new traditions for representing characters or motifs that then become fixed in popular Arthuriana (consider, for example, both the long-standing iconographic portrayal of Merlin, cemented via Wolfgang Reitherman’s THE SWORD IN THE STONE, as an aged figure with flowing white hair, beard and robes or John Boorman’s conflation—copied by many later writers—of Morgan le Fay and Morgause in EXCALIBUR and the resulting figure’s role as the mother of Mordred, an expansion of her traditional filmic role as an enemy within Camelot), yet, to date, few studies, beyond lamentations of how to, as Lacy, puts it to “unteach” these texts, have explored this aspect of these modern Arthurian texts. The late twentieth and early twenty-first centuries, in particular, include many innovative productions (including Alexandre Astier’s KAAMELOTT; Steve Barron’s MERLIN; Chris Chibnall and Michael Hirst’s CAMELOT; Antoine Fuqua’s KING ARTHUR; Julian Jones, Jake Michie, Johnny Capps, and Julian Murphy’s MERLIN; Mythic Entertainment’s DARK AGE OF CAMELOT; SyFy’s STARGATE SG-1 and Type-Moon’s FATE/STAY NIGHT) that deviate significantly from preexisting literary and filmic/televisual traditions of the legend, and these works have influenced and will influence both further Arthurian texts and the popular reception of the Arthurian story as they are dispersed across the intertextual landscape of the modern Matter of Britain. For this session, in furtherance of the goals of the sponsoring organizations, we are particularly interested in how these recent representations of Arthurian characters (for example King Arthur, Guinevere, Merlin, Morded, Morgan le Fay, and Morgause) and motifs (such as the Grail legend) in film, television, and electronic games have shaped contemporary conceptions of these elements and, also, in exploring how these productions may influence ongoing or future Arthurian texts.
PLEASE SUBMIT PROPOSALS OF 500 WORDS OR LESS, PARTICIPANT INFORMATION FORM (AVAILABLE AT
http://www.wmich.edu/medieval/congress/submissions/index.html), AND A COPY OF YOUR CV TO THE ORGANIZERS AT
Popular.Culture.and.the.Middle.Ages@gmail.com
PLEASE INCLUDE “KALAMAZOO 2012 PROPOSAL” IN THE SUBJECT LINE
FOR MORE INFORMATION ABOUT THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN, PLEASE ACCESS OUR BLOG AT http://ArthurianVillainyResearch.blogspot.com/
FOR MORE INFORMATION ABOUT THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES, PLEASE ACCESS OUR BLOG AT http://PopularCultureandtheMiddleAges.blogspot.com/
ARE YOU FROM CAMELOT?
RECENT ARTHURIAN FILM, TELEVISION, AND ELECTRONIC GAMES AS INNOVATORS OF THE ARTHURIAN TRADITION AND THEIR IMPACT
A ROUNDTABLE FOR THE 47TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES (WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MI) FROM 10-13 MAY 2012
CO-SPONSORED BY THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN AND THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES
PROPOSALS BY 1 SEPTEMBER 2011 (EARLY SUBMISSION RECOMMENDED)
The Matter of Britain is alive and well in modern mass media, and the media of film and television, especially, have long been recognized as important disseminators of the Arthurian legend to audiences of various ages and in disparate countries across the globe. Such productions are often assessed by their fidelity to pre-established versions of the legend, an anxiety of influence that Norris J. Lacy has termed “the tyranny of tradition.” However, mass media like film, television and electronic games also function as innovators of new traditions for representing characters or motifs that then become fixed in popular Arthuriana (consider, for example, both the long-standing iconographic portrayal of Merlin, cemented via Wolfgang Reitherman’s THE SWORD IN THE STONE, as an aged figure with flowing white hair, beard and robes or John Boorman’s conflation—copied by many later writers—of Morgan le Fay and Morgause in EXCALIBUR and the resulting figure’s role as the mother of Mordred, an expansion of her traditional filmic role as an enemy within Camelot), yet, to date, few studies, beyond lamentations of how to, as Lacy, puts it to “unteach” these texts, have explored this aspect of these modern Arthurian texts. The late twentieth and early twenty-first centuries, in particular, include many innovative productions (including Alexandre Astier’s KAAMELOTT; Steve Barron’s MERLIN; Chris Chibnall and Michael Hirst’s CAMELOT; Antoine Fuqua’s KING ARTHUR; Julian Jones, Jake Michie, Johnny Capps, and Julian Murphy’s MERLIN; Mythic Entertainment’s DARK AGE OF CAMELOT; SyFy’s STARGATE SG-1 and Type-Moon’s FATE/STAY NIGHT) that deviate significantly from preexisting literary and filmic/televisual traditions of the legend, and these works have influenced and will influence both further Arthurian texts and the popular reception of the Arthurian story as they are dispersed across the intertextual landscape of the modern Matter of Britain. For this session, in furtherance of the goals of the sponsoring organizations, we are particularly interested in how these recent representations of Arthurian characters (for example King Arthur, Guinevere, Merlin, Morded, Morgan le Fay, and Morgause) and motifs (such as the Grail legend) in film, television, and electronic games have shaped contemporary conceptions of these elements and, also, in exploring how these productions may influence ongoing or future Arthurian texts.
PLEASE SUBMIT PROPOSALS OF 500 WORDS OR LESS, PARTICIPANT INFORMATION FORM (AVAILABLE AT
http://www.wmich.edu/medieval/congress/submissions/index.html), AND A COPY OF YOUR CV TO THE ORGANIZERS AT
Popular.Culture.and.the.Middle.Ages@gmail.com
PLEASE INCLUDE “KALAMAZOO 2012 PROPOSAL” IN THE SUBJECT LINE
FOR MORE INFORMATION ABOUT THE ALLIANCE FOR THE PROMOTION OF RESEARCH ON THE VILLAINS OF THE MATTER OF BRITAIN, PLEASE ACCESS OUR BLOG AT http://ArthurianVillainyResearch.blogspot.com/
FOR MORE INFORMATION ABOUT THE VIRTUAL SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES, PLEASE ACCESS OUR BLOG AT http://PopularCultureandtheMiddleAges.blogspot.com/
Saturday, May 14, 2011
Arthurian Villains Recent Presentations (2010-2004)
I've been working over at The Medieval Comics Project trying to put together a listing of recent presentations on the topic, and, in the process, came across the following of interest to our readers. Please let me know if I've missed you.
Forty-fifth International Congress on Medieval Studies
May 13–16, 2010
“We are all shamed and destroyed for ever!”: The Treasonous Tale of King Mark
Meredith Reynolds, Francis Marion Univ.
Crafting the Witch: The Transformation of Morgan le Fay
Heidi J. Breuer, California State Univ.–San Marcos
2010 Joint Conference of the National Popular Culture and American Culture Associations
March 31 – April 3, 2010
Renaissance Grand Hotel St. Louis
Arthurian Legends: Morgan, Mordred, and Magic: Arthuriana out in Left Field
Session Chair: Michele D. Braun, Northeastern University
“‘Sympathy for the Devil’: The Dichotomy of Mordred in Popular Fiction”
Diana M. Vecchio, Widener University
“Reining in Morgaine: Revising Feminist Possibilities out of The Mists of Avalon”
Deidra Donmoyer, Wesleyan College
“Magic and the Feminine in the BBC's Merlin”
Christina Francis, Bloomsbury University
“Saving Baseball, Saving Arthur: Morganna the Kissing Bandit Resurrects Morgan le Fay”
Jill Hebert, University of St. Mary
Forty-fourth International Congress on Medieval Studies
May 7–10, 2009
A Castle as a Prison: Morgan, Lancelot, and Bagdemagus’s Daughter
Stephen Atkinson, Park Univ.
2009 Joint Conference of the National Popular Culture and American Culture
Associations
April 8 – 11, 2009
New Orleans Marriott
Bearing the Royal Seed: The Body of Mordred‘s Mother in Feminist Fiction
Amy S. Kaufman, Wesleyan College
International Arthurian Congress 2008
« Morgana le Fay's children »
Kristina HILDEBRAND
« Modred's sons »
Edward Donald KENNEDY
Forty-third International Congress on Medieval Studies
May 8–11, 2008
Who Would Write a Letter about Piers Gaveston in the Voice of Morgan le Fay?
Michael W. Twomey, Ithaca College
The (Gendered) Politics of Change: Medieval Construction of English Identity and the Decline of Morgan Le Fay
Amanda Dysart, Univ. of Virginia
Morgan’s Headdress: “Toreted and Treleted with Tryfles Aboute” (SGGK 960)
Laura F. Hodges, Independent Scholar
Forty-Second International Congress on Medieval Studies
May 10–13, 2007
Stargate to Avalon: Pursuing Merlin and Morgan le Fey
Christina Francis, Bloomsburg Univ.
The Televisual Mordred: Strategies for Representing Mordred in Arthurian Television
Michael A. Torregrossa, Independent Scholar
2007 Joint Conference of the National Popular Culture and American Culture
Associations
April 4 - 7, 2007
Boston Marriott Copley Place
Arthurian Legend I: The M’n’M’s
One and Many: Morgan in Contemporary Fantasy
Jill Hebert, Western Michigan University
Mordred, Villain and Victim: Two Late Victorian Visions
Thomas Hoberg, Northeastern Illinois University
Reclaiming the Bad Seed: Mordred’s Rehabilitation in Modern Fiction
Michael D. Amey, University of Maine at Presque Isle
Arthurian Conference Utrecht, July 24-31, 2005
Gawain’s Family
Edward Donald Kennedy
Morgan la Fey: Feminine Sexuality and Arthurian Representation
Maria-Kristina Perez
Fortieth International Congress on Medieval Studies
May 5–8, 2005
Anna and the King: Mordred’s Claim to the Throne in Scottish Chronicles
Alan Lupack, Univ. of Rochester
Morgan’s Morals: Sexuality in Malory
Jill Hebert, Western Michigan Univ.
The Bedevilment of Morgan le Fay: Ethnographic Perspective and Hartmann’s Erec
Kristen Elena Dachler, Duke Univ.
26th Annual Medieval and Renaissance Forum at Plymouth State University
April 15-16, 2005
“Queen Margawse: The Matrix of Revenge in Malory’s Le Morte D’Arthur.”
Peter C. Schwartz, Elmira College
Thirty-Ninth International Congress on Medieval Studies
6–9 May 2004
Can Mordred Be Portrayed with Sympathy?
Edward Donald Kennedy, Univ. of North Carolina–Chapel Hill
Shapeshifter: Morgan le Fay as Arthur’s Unheard Political Advisor in Malory
Jill Hebert, Western Michigan Univ.
2004 Medieval Forum at Plymouth State University
"Morgan Le Fay: One Tough Witch."
Stacie Harris (Student, Elmira College)
Forty-fifth International Congress on Medieval Studies
May 13–16, 2010
“We are all shamed and destroyed for ever!”: The Treasonous Tale of King Mark
Meredith Reynolds, Francis Marion Univ.
Crafting the Witch: The Transformation of Morgan le Fay
Heidi J. Breuer, California State Univ.–San Marcos
2010 Joint Conference of the National Popular Culture and American Culture Associations
March 31 – April 3, 2010
Renaissance Grand Hotel St. Louis
Arthurian Legends: Morgan, Mordred, and Magic: Arthuriana out in Left Field
Session Chair: Michele D. Braun, Northeastern University
“‘Sympathy for the Devil’: The Dichotomy of Mordred in Popular Fiction”
Diana M. Vecchio, Widener University
“Reining in Morgaine: Revising Feminist Possibilities out of The Mists of Avalon”
Deidra Donmoyer, Wesleyan College
“Magic and the Feminine in the BBC's Merlin”
Christina Francis, Bloomsbury University
“Saving Baseball, Saving Arthur: Morganna the Kissing Bandit Resurrects Morgan le Fay”
Jill Hebert, University of St. Mary
Forty-fourth International Congress on Medieval Studies
May 7–10, 2009
A Castle as a Prison: Morgan, Lancelot, and Bagdemagus’s Daughter
Stephen Atkinson, Park Univ.
2009 Joint Conference of the National Popular Culture and American Culture
Associations
April 8 – 11, 2009
New Orleans Marriott
Bearing the Royal Seed: The Body of Mordred‘s Mother in Feminist Fiction
Amy S. Kaufman, Wesleyan College
International Arthurian Congress 2008
« Morgana le Fay's children »
Kristina HILDEBRAND
« Modred's sons »
Edward Donald KENNEDY
Forty-third International Congress on Medieval Studies
May 8–11, 2008
Who Would Write a Letter about Piers Gaveston in the Voice of Morgan le Fay?
Michael W. Twomey, Ithaca College
The (Gendered) Politics of Change: Medieval Construction of English Identity and the Decline of Morgan Le Fay
Amanda Dysart, Univ. of Virginia
Morgan’s Headdress: “Toreted and Treleted with Tryfles Aboute” (SGGK 960)
Laura F. Hodges, Independent Scholar
Forty-Second International Congress on Medieval Studies
May 10–13, 2007
Stargate to Avalon: Pursuing Merlin and Morgan le Fey
Christina Francis, Bloomsburg Univ.
The Televisual Mordred: Strategies for Representing Mordred in Arthurian Television
Michael A. Torregrossa, Independent Scholar
2007 Joint Conference of the National Popular Culture and American Culture
Associations
April 4 - 7, 2007
Boston Marriott Copley Place
Arthurian Legend I: The M’n’M’s
One and Many: Morgan in Contemporary Fantasy
Jill Hebert, Western Michigan University
Mordred, Villain and Victim: Two Late Victorian Visions
Thomas Hoberg, Northeastern Illinois University
Reclaiming the Bad Seed: Mordred’s Rehabilitation in Modern Fiction
Michael D. Amey, University of Maine at Presque Isle
Arthurian Conference Utrecht, July 24-31, 2005
Gawain’s Family
Edward Donald Kennedy
Morgan la Fey: Feminine Sexuality and Arthurian Representation
Maria-Kristina Perez
Fortieth International Congress on Medieval Studies
May 5–8, 2005
Anna and the King: Mordred’s Claim to the Throne in Scottish Chronicles
Alan Lupack, Univ. of Rochester
Morgan’s Morals: Sexuality in Malory
Jill Hebert, Western Michigan Univ.
The Bedevilment of Morgan le Fay: Ethnographic Perspective and Hartmann’s Erec
Kristen Elena Dachler, Duke Univ.
26th Annual Medieval and Renaissance Forum at Plymouth State University
April 15-16, 2005
“Queen Margawse: The Matrix of Revenge in Malory’s Le Morte D’Arthur.”
Peter C. Schwartz, Elmira College
Thirty-Ninth International Congress on Medieval Studies
6–9 May 2004
Can Mordred Be Portrayed with Sympathy?
Edward Donald Kennedy, Univ. of North Carolina–Chapel Hill
Shapeshifter: Morgan le Fay as Arthur’s Unheard Political Advisor in Malory
Jill Hebert, Western Michigan Univ.
2004 Medieval Forum at Plymouth State University
"Morgan Le Fay: One Tough Witch."
Stacie Harris (Student, Elmira College)
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